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David Manning Vlog.
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Chapters:.
00:00 – Intro.
01:07 – Side By Side Video.
01:41 – What is SLOG3 and S-Cinetone?
02:50 – Dynamic Variety.
03:40 – Dual Native ISO.
05:05 – Sponsor Epidemic Noise.
06:55 – Ease of Usage.
07:50 – Recording My Life.
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Firsttt
Great Video
lol you can literally tell the difference in the thumbnail
Solid eye Nick👍
what if you use a s-log3 with baked in color correction and baked in color grade picture profile on your camera. so you can have the exact same look as if you color correct and grade in post. i use both on a single camera 😉
…how? Tell me more!
@David Manning it works on ZV-E1. When i combine a correction lut with my grading, then make a new lut and import it onto my zv-e1 i can then set PPLUT1-4 to costum picture profiles with baked in LUT. Its looks exactly as if i use s-log3 on flexible ISO with my combined correction+grading LUT. So i assume, the custom PPs use s-log3 as well and on too of that the lut which i choosed.
This is great David! S Cinetone is perfect enough for YouTube. Besides your content is awesome that I’d still watch it even if you shot it from a 2005 potato phone camera 😂
Hahahaa! You rock Rhyan!😂
i Learn Few thing Thanks for that
I Appreciate the video, and yes, or was helpful. You can see the difference
Solid to see that the difference is still coming through on YouTube!
What correction LUT are you using? I’d like to try combining the two, using SLOG3 for low light situations. Would be interesting to know your workflow on that. Thanks for the overview!
I’ve purchased a number of LUTs over the years, but now I use one that I’ve customized on my own. It’s basically Sony’s SLOG3 to Rec 709 correction LUT with some color adjustments that I’ve made. One of my favorite LUT packs though was Phantom LUTs. Those look incredible!
There was a difference, but it was hardly noticeable! The difference could of just been down to how long you spent trying to match the SLog-3 footage…
When is the a7Siv coming out, thats what i want to know!
Me too! Hopefully, with the Nikon vs RED lawsuit settled, we might see internal compressed RAW recording🙌
@David Manning nice!
@David Manning can you do a video about how that might effwct the release of the a7siv and perhaps an a1ii? Because im not exactly sure myself why that plays a part in holding the camera back if uts set up for these options, they can just turn them off in firmware then turn them on, if copyright is the issue…
Thanks man
Also, on your monitor you see a difference maybe? On my cell phone the image looks exactly the same
S cinetone doesn’t require a rec709 conversion? What you see is what you get?
Exactly! What you see on the back of the camera is exactly what you’re recording!
For the run and gun usage, especially for youtube, s cine-tone is perfectly fine. Nice to have slog3 for low light though.
Hi Dave 🙋🏻♂️
Nice Carbon Hadean!
Very useful! Thanks so much! As just a very casual video shooter this helps a lot.
I edit in Davinci Resolve and it couldn’t be easier to use any log footage. You literally set up the timeline to convert your footage from log to Rec 709. and you can simply save and apply any adjustments to all the clips you drop in. Then you have log footage that is fine with minimal tweaking that barely takes any time at all and if needed you have log footage that can be heavily adjusted. The only thing I noticed in your footage was Profile B was significantly sharper than A and B looked ever so slightly more saturated. Also, SLOG3 on the Alpha 1 iso’s are 800 and 4,000 not 640 and 12,800.
Your ISO information can’t be accurate. On my FX3 in S-Cinetone I see a Massive noise reduction at 12,800 still. That can’t be all internal NR frtom sony.
Some of the cameras you mentioned can shoot with LUTs baked in meaning no post processing needed.